
COMEDY • ROMANCE • CLASSIC
When his wife and son leave New York for the summer, faithful publisher Richard Sherman finds himself captivated by the charming young woman who moves into the apartment upstairs. Directed by Billy Wilder and starring Marilyn Monroe, The Seven Year Itch is a witty romantic comedy remembered for one of the most iconic moments in movie history.
Release Year
1955
Runtime
105 minutes (1 hour 45 minutes)
Rating
Not Rated
Genre
Comedy, Romance
Director
Billy Wilder
Country
United States
Language
English
Studio
Twentieth Century-Fox

Saturday October 17, 2016
7:30 PM
Capitol Theatre
Port Hope, Ontario
The only significant award with which The Seven Year Itch was recognized was a Golden Globe for Best Actor (Motion Picture Musical or Comedy) won by its star Tom Ewell, reprising his role in George Axelrod’s hit Broadway play. Ewell is marvelous in the film; but you can be forgiven if your attention is wholly captured by Marilyn Monroe—everyone else’s was! Another in her series of immortal sexpot roles, this one is forever associated with the iconic image of her white dress billowing up above her legs in the draft from the NYC subway grating. Comedy master Billy Wilder directed from the screenplay he co-wrote with playwright Axelrod.
Marilyn Monroe's white halter dress blowing over a New York subway grate became one of the most famous images in film history, symbolizing both Hollywood glamour and Monroe's enduring legacy. Although filmed on location in Manhattan, the famous scene was later recreated on a studio set because crowd noise made the original footage unusable.
Tom Ewell reprised the role of Richard Sherman after originating the character on Broadway, bringing his Tony Award-winning performance from stage to screen.
Director Billy Wilder preferred filming in black and white, but the movie was shot in colour to meet Marilyn Monroe's contract with Twentieth Century-Fox. Monroe firmly believed that colour film captured her glamour and made her look much more striking on screen, so the studio required the production to use colour.
Because the era's Production Code dictated that adultery could never be played for laughs or shown, the plot was drastically rewritten from George Axelrod's original play. Instead of a consummated affair, Richard Sherman only fantasizes about cheating with "The Girl".

