The Red Shoe movie poster
The Red Shoes
(1948)

DRAMA  •  ROMANCE  •  MUSICAL

A gifted young ballerina is torn between love and her devotion to dance as she rises to stardom under the demanding direction of a renowned ballet impresario. Visually breathtaking and emotionally powerful, The Red Shoes is a timeless masterpiece celebrating the passion, sacrifice, and beauty of artistic ambition.

FESTIVAL INFORMATION
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October 16-18, 2026

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Capitol Theatre

Port Hope, Ontario

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── FILM INFORMATION ──

Release Year

1948

Runtime

134 minutes (2 hours 14 minutes)

Rating

Not Rated

Genre

Romance, Musical

Director

Michael Powell & Emeric Pressburger

Country

United Kingdom

Language

English

Studio

Pinewood Studios / Victorine Studios

FESTIVAL SCREENING

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Sunday October 18, 2016

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10:35 AM

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Capitol Theatre

Port Hope, Ontario

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ABOUT THE FILM

Hans Christian Andersen’s dark fairy tale “The Red Shoes” did double duty in the 1948 film of the same name by The Archers (the producer-writer-director team of Michael Powell and Emeric Pressburger): it provided the storyline for the ballet creation featured in the movie, and it also suggested the plot for the work as a whole. Ballerina Moira Shearer made her feature film debut, performing alongside other leading dancers of the Forties. And, by the end of The Red Shoes, the titular footwear have become a character in their own right. The movie has long been a favourite of balletomanes and cinéastes alike.

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DID YOU KNOW?

  • The film's famous 17-minute ballet sequence was created specifically for the screen, combining dance, music, and visual effects in ways audiences had never seen before. It remains one of cinema's most celebrated dance sequences.

  • Broadcaster and author Ludovic Kennedy saw Moira Shearer in the film, declared instantly that he would marry her, and tracked her down—leading to a wedding just two years later.

  • The iconic 17-minute central ballet sequence took a staggering six weeks to shoot and utilized over 120 individual painted backdrops designed by Hein Heckroth.

  • Cinematographer Jack Cardiff subtly manipulated camera speeds during the dance sequences to make the performers appear as though they were momentarily hovering mid-air.