Only days left until the
2019 Festival.

September 27, 28, 29, 2019

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ReaRView Vintage DocFest, April 12, 13, 14, 2019,
at The Loft in Cobourg

Woodstock posterDoc Fest poster - click to enlargeYes, you read it right, ReaRView in 2019 will add a Friday 7pm screening to the two-hour time slots on Saturday and Sunday. And yes, the Saturday and Sunday morning time slots are free as before. Can you still buy a full weekend pass to guarantee you one of the 60 seats in Cobourg’s The Loft? Of course you can.

Like the 2017 and 2018 ReaRView DocFests, the program will follow a theme. In 2019 the theme will be ‘A Century of Hope and Identity’. There’ll be films reaching back to 1919 exploring the last century in terms of hopes fulfilled or dashed over 100 years and the issues of identity that emerged.

Reaching back to 1919, for instance, will be Paul Cowan’s 2008 doc Paris 1919, winner of the Gemini and Banff awards for best historical documentary. Jump forward 50 years and we’ll show you on Friday, April 12 one of the most celebrated documentaries of all time, Woodstock, Michael Wadleigh’s 1970, three-hour, warts-and-all film on the 1969 Woodstock Music & Art Festival in Bethel, NY. Each film is rooted in hope, with a subtext of identity, and perhaps, of conflict stemming from identity.

Maybe you should bookmark this page and return to keep up-to-date on our plans for the April 12-14, 2019 ReaRView Vintage DocFest. There’s a hard-working committee putting together the best topical and timeless documentaries to show you today through yesterday’s lens.

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Topical and Timeless

WELCOME TO REARVIEW'S 2018  DOC FEST

Go to ReaRView Tickets page

After a resounding success with last year's Canada 150 program, we are proud to present ReaRView 2018, an examination of Age and Happiness and Art as Social Change through the lens of carefully curated vintage documentaries from around the world.

Age and Happiness: Happiness is a state of well-being that encompasses living a good life. But what is a "good life" and does it vary with age and circumstances? Are there objective measures for happiness? Join ReaRView 2018 to explore these questions with first-rate documentaries from renowned directors spanning diverse cultures and societies.

Art as Social Change: It is said that science produces while art seduces-an aphorism more wrong than right. Whether personal or public, intense or casual, art can inspire great emotion and fuel breathtaking change. How does something so ephemeral galvanize societies? Attend ReaRView 2018 to find out. Combining topical and timeless documentaries from 1935 to 2015, ReaRView presents a unique opportunity to rediscover art as a force for change.

 

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APRIL 21 & 22, 2018   The LOFT, 201 Division St., Cobourg

* Films are subject to change.

Saturday, April 21, 2018

10:00am – 12:00pm   Art As Social Change and Age & Happiness  (Admission: free)

1.  Making Movie History: Dorothy Todd Hénaut (Joanne Robertson, 2014, 5m)
Dorothy Todd Hénaut describes her arrival at the NFB and her work on the ground-breaking Challenge For Change community filmmaking program

2.  Has Anybody Here Seen Canada? A History of Canadian Movies 1939-1953 (John Kramer, 1979, 85m)
A history of film in Canada, emphasizing the importance of documentaries as propaganda during the Second World War.  Includes a segment on how the NFB used Hitler’s Triumph of the Will (see Saturday at 7:00 pm) to Canada’s own advantage and galvanized social change to support the war effort.

3.  Maud Lewis: A World Without Shadows (Diane Beaudry, 1976, 10m)happy150
Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.

4.  Mabel (Teresa MacInnes, 2015, 20m)
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later.

1:00pm – 3:00pm     Art As Social Change (Admission: $10)

1.  Debris (John Bolton, 2015, 14m)AiWeiWeiNeverSorry
Portrait of Tofino, BC intertidal artist Pete Clarkson as he crafts his most ambitious and personal project to date: a memorial to the 2011 Great East Japan earthquake and tsunami.

2.  Ai Weiwei: Never Sorry (Alison Klayman, 2012, 91m)
This documentary chronicles artist and activist Ai Weiwei as he prepares for a series of exhibitions and gets into an increasing number of clashes with the Chinese government.

4:00pm – 6:00pm   Age & Happiness (Admission: $10)Happy110

1.  Happy  (Roko Belic, 2011, 76m)
Combining real life stories of people from around the world and powerful interviews with the leading scientists in happiness research, HAPPY explores the secrets behind our most valued emotion.

2.  Shameless: the art of disability  (Bonnie Sherr Klein, 2006, 48m)SHAMELESS110
Tracks a motley gang of five disabled artists while they create and then present their self-representations. As we get to know each of these remarkable people driven by a passion for art and transformation, the everyday complexities and unexpected richness of life with a disability are exposed.

7:00pm – 9:00pm      Art As Social Change (Admission: $10)

Churchill Island1.  Churchill’s Island  (Stuart Legg, 1941, 21m)
Winning the NFB its first Oscar® this documentary shamelessly raises morale while informing Canadians on the progress of the War.  Narrated by Lorne Greene.

2.  Triumph of the Will  (Leni Riefenstahl, 1935, 110m)triumph of the will
A phenomenally artful, artistic and influential documentary designed as naked propaganda to manufacture a new (hateful) society during Hitler’s 1930 Germany.  The National Film Board cleverly used scenes from this film in 1942 to galvanize social change in Canada and support the war effort (see Has Anybody Here Seen Canada on ReaRView’s Saturday morning program).


Sunday, April 22, 2018