Eight and a half movie poster
(1963)

DRAMA  •  COMEDY  •  FANTASY

Acclaimed film director Guido Anselmi is struggling with creative block as he prepares his next movie. Blending reality, dreams, memories, and imagination, Federico Fellini's is a visually stunning exploration of creativity, identity, and the challenges of artistic inspiration.

FESTIVAL INFORMATION
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October 16-18, 2026

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Capitol Theatre

Port Hope, Ontario

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── FILM INFORMATION ──

Release Year

1963

Runtime

138 minutes (2 hours 18 minutes)

Rating

Not Rated

Genre

Fantasy, Comedy

Director

Federico Fellini

Country

Italy / France

Language

Italian

Studio

Cineriz / Francinex

FESTIVAL SCREENING

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Sunday October 16, 2016

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2:00 PM

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Capitol Theatre

Port Hope, Ontario

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ABOUT THE FILM

Federico Fellini’s  is another Best Costume Design Oscar winner: it’s a showcase of stylish Sixties Italian fashion (and it pulls a neat trick with it in the final reel). It also won the Best Foreign Language Film Oscar. Fellini made 8½ following a lengthy struggle to come up with ideas for his next film project. He suddenly decided to make a self-referential movie about that struggle. Even the film’s title reflects this, as it isn’t really a title at all: Fellini had already made seven features and one short film—seven-and-a-half films, if you like—so this project was Untitled Movie No. 8½.

8½ will be screened in Italian with English subtitles.

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DID YOU KNOW?

  • The title 8 1/2 refers to the number of films Federico Fellini had directed before making this one—six feature films, two short films (counted as one), and one co-directed feature, adding up to "eight and a half."

  • True to standard Italian filmmaking practices of the era, the movie was shot entirely without sound recording on set. Every single line of dialogue was dubbed later during post-production. Because Fellini was famous for shouting spontaneous directions to actors while the camera rolled and rewriting lines later, much of the dialogue does not quite match the actors' lip movements.

  • An early working title for the film was La bella confusione, which translates directly to "The Beautiful Confusion", a fitting description of its dreamlike blend of memory, fantasy, and reality.

  • To keep himself from sinking into the heavy, anxiety-ridden existential dread that his main character Guido (Marcello Mastroianni) experiences, Fellini taped a small note to himself directly below the camera’s eyepiece on set that read: "Remember, this is a comedy."